copyright 15 KB

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  1. Format: https://www.debian.org/doc/packaging-manuals/copyright-format/1.0/
  2. Upstream-Name: flameshot
  3. Source: https://github.com/lupoDharkael/flameshot/
  4. Files: *
  5. Copyright: 2016-2017 lupoDharkael <izhe@hotmail.es>
  6. License: GPL-3+
  7. Comments:
  8. The author copied a few lines of code from KSnapshot regiongrabber.cpp
  9. revision 796531 (LGPL).
  10. Files: debian/*
  11. Copyright: 2017 Juanma Navarro Mañez <juanma1980@gmail.com>
  12. 2018 Boyuan Yang <073plan@gmail.com>
  13. License: GPL-3+
  14. Files: img/flameshot.*
  15. Copyright: 2017 lupoDharkael <izhe@hotmail.es>
  16. License: Free-Art-License-1.3
  17. Files: img/buttonIconsBlack/* img/buttonIconsWhite/*
  18. Copyright: Google Inc.
  19. License: Apache-2.0
  20. Files: src/widgets/capture/capturewidget.*
  21. Copyright: 2017 Alejandro Sirgo Rica
  22. 2017 Christian Kaiser <info@ckaiser.com.ar>
  23. 2007 Luca Gugelmann <lucag@student.ethz.ch>
  24. License: GPL-3+
  25. Comments:
  26. Relicensed under GPL-3+ under flameshot project.
  27. .
  28. Originally based on Lightscreen areadialog.h,
  29. Copyright 2017 Christian Kaiser <info@ckaiser.com.ar>
  30. released under the GNU GPL2 <https://www.gnu.org/licenses/gpl-2.0.txt>
  31. .
  32. Originally based on KDE's KSnapshot regiongrabber.cpp, revision 796531,
  33. Copyright 2007 Luca Gugelmann <lucag@student.ethz.ch>
  34. released under the GNU LGPL <http://www.gnu.org/licenses/old-licenses/library.txt>
  35. Files: src/third-party/singleapplication/*
  36. Copyright: 2015 - 2016 Itay Grudev
  37. License: Expat
  38. Files: src/third-party/Qt-Color-Widgets/*
  39. Copyright: 2013-2017 Mattia Basaglia <mattia.basaglia@gmail.com>
  40. License: LGPL-3+
  41. Comments:
  42. As a special exception, this library can be included in any project under the
  43. terms of any of the GNU licenses, distributing the whole project under a
  44. different GNU license, see LICENSE-EXCEPTION for details.
  45. .
  46. Linking this library statically or dynamically with other modules is making a
  47. combined work based on this library. Thus, the terms and conditions of the
  48. GNU Lesser General Public License version 3 cover the whole combination.
  49. .
  50. As a special exception, the copyright holders of this library give you
  51. permission to combine this library with independent
  52. modules to produce an executable, and to copy and distribute the resulting
  53. executable under terms of any of the GNU General Public licenses, as published
  54. by the Free Software Foundation, provided that you also meet,
  55. for each linked independent module, the terms and conditions of the license of
  56. that module. An independent module is a module which is not derived from or
  57. based on this library. If you modify this library, you may extend this
  58. exception to your version of the library, but you are not obliged to do so.
  59. If you do not wish to do so, delete this exception statement from your version.
  60. License: LGPL-3+
  61. This program is free software: you can redistribute it and/or modify
  62. it under the terms of the GNU General Lesser Public License as published
  63. by the Free Software Foundation, either version 3 of the License, or
  64. (at your option) any later version.
  65. .
  66. This package is distributed in the hope that it will be useful,
  67. but WITHOUT ANY WARRANTY; without even the implied warranty of
  68. MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
  69. GNU Lesser General Public License for more details.
  70. .
  71. You should have received a copy of the GNU General Lesser Public License
  72. along with this program. If not, see <https://www.gnu.org/licenses/>.
  73. .
  74. On Debian systems, the complete text of the GNU Lesser General Public
  75. License version 3 can be found in "/usr/share/common-licenses/LGPL-3".
  76. License: Expat
  77. The MIT License (MIT)
  78. .
  79. Permission is hereby granted, free of charge, to any person obtaining a copy
  80. of this software and associated documentation files (the "Software"), to deal
  81. in the Software without restriction, including without limitation the rights
  82. to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
  83. copies of the Software, and to permit persons to whom the Software is
  84. furnished to do so, subject to the following conditions:
  85. .
  86. The above copyright notice and this permission notice shall be included in
  87. all copies or substantial portions of the Software.
  88. .
  89. THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
  90. IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
  91. FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
  92. AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
  93. LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
  94. OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
  95. THE SOFTWARE.
  96. License: Apache-2.0
  97. Google Material Design Icons are licensed under Apache License 2.0.
  98. .
  99. On Debian systems, the complete text of Apache License 2.0 can be
  100. found in "/usr/share/common-licenses/Apache-2.0".
  101. License: Free-Art-License-1.3
  102. Free Art License 1.3 (FAL 1.3)
  103. .
  104. Preamble
  105. .
  106. The Free Art License grants the right to freely copy, distribute, and
  107. transform creative works without infringing the author's rights.
  108. .
  109. The Free Art License recognizes and protects these rights. Their
  110. implementation has been reformulated in order to allow everyone to use
  111. creations of the human mind in a creative manner, regardless of their
  112. types and ways of expression.
  113. .
  114. While the public's access to creations of the human mind usually is
  115. restricted by the implementation of copyright law, it is favoured by
  116. the Free Art License. This license intends to allow the use of a
  117. work’s resources; to establish new conditions for creating in order to
  118. increase creation opportunities. The Free Art License grants the right
  119. to use a work, and acknowledges the right holder’s and the user’s
  120. rights and responsibility.
  121. .
  122. The invention and development of digital technologies, Internet and
  123. Free Software have changed creation methods: creations of the human
  124. mind can obviously be distributed, exchanged, and transformed. They
  125. allow to produce common works to which everyone can contribute to the
  126. benefit of all.
  127. .
  128. The main rationale for this Free Art License is to promote and protect
  129. these creations of the human mind according to the principles of
  130. copyleft: freedom to use, copy, distribute, transform, and prohibition
  131. of exclusive appropriation.
  132. .
  133. Definitions
  134. .
  135. “work” either means the initial work, the subsequent works or the
  136. common work as defined hereafter:
  137. .
  138. “common work” means a work composed of the initial work and all
  139. subsequent contributions to it (originals and copies). The initial
  140. author is the one who, by choosing this license, defines the
  141. conditions under which contributions are made.
  142. .
  143. “Initial work” means the work created by the initiator of the common
  144. work (as defined above), the copies of which can be modified by
  145. whoever wants to
  146. .
  147. “Subsequent works” means the contributions made by authors who
  148. participate in the evolution of the common work by exercising the
  149. rights to reproduce, distribute, and modify that are granted by the
  150. license.
  151. .
  152. “Originals” (sources or resources of the work) means all copies of
  153. either the initial work or any subsequent work mentioning a date and
  154. used by their author(s) as references for any subsequent updates,
  155. interpretations, copies or reproductions.
  156. .
  157. “Copy” means any reproduction of an original as defined by this
  158. license.
  159. .
  160. 1. OBJECT
  161. .
  162. The aim of this license is to define the conditions under which one
  163. can use this work freely.
  164. .
  165. 2. SCOPE
  166. .
  167. This work is subject to copyright law. Through this license its author
  168. specifies the extent to which you can copy, distribute, and modify it.
  169. .
  170. 2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)
  171. .
  172. You have the right to copy this work for yourself, your friends or any
  173. other person, whatever the technique used.
  174. .
  175. 2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC
  176. .
  177. You have the right to distribute copies of this work; whether modified
  178. or not, whatever the medium and the place, with or without any charge,
  179. provided that you: attach this license without any modification to the
  180. copies of this work or indicate precisely where the license can be
  181. found, specify to the recipient the names of the author(s) of the
  182. originals, including yours if you have modified the work, specify to
  183. the recipient where to access the originals (either initial or
  184. subsequent).
  185. .
  186. The authors of the originals may, if they wish to, give you the right
  187. to distribute the originals under the same conditions as the copies.
  188. .
  189. 2.3 FREEDOM TO MODIFY
  190. .
  191. You have the right to modify copies of the originals (whether initial
  192. or subsequent) provided you comply with the following conditions: all
  193. conditions in article 2.2 above, if you distribute modified copies;
  194. indicate that the work has been modified and, if it is possible, what
  195. kind of modifications have been made; distribute the subsequent work
  196. under the same license or any compatible license.
  197. .
  198. The author(s) of the original work may give you the right to modify it
  199. under the same conditions as the copies.
  200. .
  201. 3. RELATED RIGHTS
  202. .
  203. Activities giving rise to author’s rights and related rights shall not
  204. challenge the rights granted by this license.
  205. .
  206. For example, this is the reason why performances must be subject to
  207. the same license or a compatible license. Similarly, integrating the
  208. work in a database, a compilation or an anthology shall not prevent
  209. anyone from using the work under the same conditions as those defined
  210. in this license.
  211. .
  212. 4. INCORPORATION OF THE WORK
  213. .
  214. Incorporating this work into a larger work that is not subject to the
  215. Free Art License shall not challenge the rights granted by this
  216. license.
  217. .
  218. If the work can no longer be accessed apart from the larger work in
  219. which it is incorporated, then incorporation shall only be allowed
  220. under the condition that the larger work is subject either to the Free
  221. Art License or a compatible license.
  222. .
  223. 5. COMPATIBILITY
  224. .
  225. A license is compatible with the Free Art License provided: it gives
  226. the right to copy, distribute, and modify copies of the work including
  227. for commercial purposes and without any other restrictions than those
  228. required by the respect of the other compatibility criteria; it
  229. ensures proper attribution of the work to its authors and access to
  230. previous versions of the work when possible; it recognizes the Free
  231. Art License as compatible (reciprocity); it requires that changes made
  232. to the work be subject to the same license or to a license which also
  233. meets these compatibility criteria.
  234. .
  235. 6. YOUR INTELLECTUAL RIGHTS
  236. .
  237. This license does not aim at denying your author's rights in your
  238. contribution or any related right. By choosing to contribute to the
  239. development of this common work, you only agree to grant others the
  240. same rights with regard to your contribution as those you were granted
  241. by this license. Conferring these rights does not mean you have to
  242. give up your intellectual rights.
  243. .
  244. 7. YOUR RESPONSIBILITIES
  245. .
  246. The freedom to use the work as defined by the Free Art License (right
  247. to copy, distribute, modify) implies that everyone is responsible for
  248. their own actions.
  249. .
  250. 8. DURATION OF THE LICENSE
  251. .
  252. This license takes effect as of your acceptance of its terms. The act
  253. of copying, distributing, or modifying the work constitutes a tacit
  254. agreement. This license will remain in effect for as long as the
  255. copyright which is attached to the work. If you do not respect the
  256. terms of this license, you automatically lose the rights that it
  257. confers.
  258. .
  259. If the legal status or legislation to which you are subject makes it
  260. impossible for you to respect the terms of this license, you may not
  261. make use of the rights which it confers.
  262. .
  263. 9. VARIOUS VERSIONS OF THE LICENSE
  264. .
  265. This license may undergo periodic modifications to incorporate
  266. improvements by its authors (instigators of the “Copyleft Attitude”
  267. movement) by way of new, numbered versions.
  268. .
  269. You will always have the choice of accepting the terms contained in
  270. the version under which the copy of the work was distributed to you,
  271. or alternatively, to use the provisions of one of the subsequent
  272. versions.
  273. .
  274. 10. SUB-LICENSING
  275. .
  276. Sub-licenses are not authorized by this license. Any person wishing to
  277. make use of the rights that it confers will be directly bound to the
  278. authors of the common work.
  279. .
  280. 11. LEGAL FRAMEWORK
  281. .
  282. This license is written with respect to both French law and the Berne
  283. Convention for the Protection of Literary and Artistic Works.
  284. .
  285. USER GUIDE
  286. .
  287. - How to use the Free Art License?
  288. .
  289. To benefit from the Free Art License, you only need to mention the
  290. following elements on your work:
  291. .
  292. [Name of the author, title, date of the work. When applicable, names
  293. of authors of the common work and, if possible, where to find the
  294. originals].
  295. .
  296. Copyleft: This is a free work, you can copy, distribute, and modify it
  297. under the terms of the Free Art License
  298. http://artlibre.org/licence/lal/en/
  299. .
  300. - Why to use the Free Art License?
  301. .
  302. 1.To give the greatest number of people access to your work.
  303. .
  304. 2.To allow it to be distributed freely.
  305. .
  306. 3.To allow it to evolve by allowing its copy, distribution, and
  307. transformation by others.
  308. .
  309. 4.So that you benefit from the resources of a work when it is under
  310. the Free Art License: to be able to copy, distribute or transform
  311. it freely.
  312. .
  313. 5.But also, because the Free Art License offers a legal framework to
  314. disallow any misappropriation. It is forbidden to take hold of
  315. your work and bypass the creative process for one's exclusive
  316. possession.
  317. .
  318. .
  319. - When to use the Free Art License?
  320. .
  321. Any time you want to benefit and make others benefit from the right to
  322. copy, distribute and transform creative works without any exclusive
  323. appropriation, you should use the Free Art License. You can for
  324. example use it for scientific, artistic or educational projects.
  325. .
  326. - What kinds of works can be subject to the Free Art License?
  327. .
  328. The Free Art License can be applied to digital as well as physical
  329. works. You can choose to apply the Free Art License on any text,
  330. picture, sound, gesture, or whatever sort of stuff on which you have
  331. sufficient author's rights.
  332. .
  333. - Historical background of this license:
  334. .
  335. It is the result of observing, using and creating digital
  336. technologies, free software, the Internet and art. It arose from the
  337. “Copyleft Attitude” meetings which took place in Paris in 2000. For
  338. the first time, these meetings brought together members of the Free
  339. Software community, artists, and members of the art world. The goal
  340. was to adapt the principles of Copyleft and free software to all sorts
  341. of creations. http://www.artlibre.org
  342. .
  343. Copyleft Attitude, 2007.
  344. .
  345. You can make reproductions and distribute this license verbatim
  346. (without any changes).
  347. .
  348. Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
  349. Mourguet, Antoine Pitrou. Thanks to framalang.org
  350. License: GPL-3+
  351. This program is free software: you can redistribute it and/or modify
  352. it under the terms of the GNU General Public License as published by
  353. the Free Software Foundation, either version 3 of the License, or
  354. (at your option) any later version.
  355. .
  356. This package is distributed in the hope that it will be useful,
  357. but WITHOUT ANY WARRANTY; without even the implied warranty of
  358. MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
  359. GNU General Public License for more details.
  360. .
  361. You should have received a copy of the GNU General Public License
  362. along with this program. If not, see <https://www.gnu.org/licenses/>.
  363. .
  364. On Debian systems, the complete text of the GNU General
  365. Public License version 3 can be found in "/usr/share/common-licenses/GPL-3".