copyright 16 KB

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  1. Format: https://www.debian.org/doc/packaging-manuals/copyright-format/1.0/
  2. Upstream-Name: flameshot
  3. Source: https://github.com/flameshot-org/flameshot/
  4. Files: *
  5. Copyright: 2016-2019 lupoDharkael <izhe@hotmail.es>
  6. License: GPL-3+
  7. Comment:
  8. The author copied a few lines of code from KSnapshot regiongrabber.cpp
  9. revision 796531 (LGPL).
  10. Files: debian/*
  11. Copyright: 2017 Juanma Navarro Mañez <juanma1980@gmail.com>
  12. 2018 Boyuan Yang <byang@debian.org>
  13. License: GPL-3+
  14. Files:
  15. data/img/app/flameshot.*
  16. data/img/hicolor/*
  17. Copyright: 2017 lupoDharkael <izhe@hotmail.es>
  18. License: Free-Art-License-1.3
  19. Files:
  20. docs/appdata/flameshot.metainfo.xml
  21. Copyright: 2017-2019 lupoDharkael <izhe@hotmail.es>
  22. License: CC0-1.0
  23. Files:
  24. data/img/material/black/*
  25. data/img/material/white/*
  26. Copyright: Google Inc.
  27. License: Apache-2.0
  28. Files: src/widgets/capture/capturewidget.*
  29. Copyright: 2017 Alejandro Sirgo Rica
  30. 2017 Christian Kaiser <info@ckaiser.com.ar>
  31. 2007 Luca Gugelmann <lucag@student.ethz.ch>
  32. License: GPL-3+
  33. Comment:
  34. Relicensed under GPL-3+ under flameshot project.
  35. .
  36. Originally based on Lightscreen areadialog.h,
  37. Copyright 2017 Christian Kaiser <info@ckaiser.com.ar>
  38. released under the GNU GPL2 <https://www.gnu.org/licenses/gpl-2.0.txt>
  39. .
  40. Originally based on KDE's KSnapshot regiongrabber.cpp, revision 796531,
  41. Copyright 2007 Luca Gugelmann <lucag@student.ethz.ch>
  42. released under the GNU LGPL <http://www.gnu.org/licenses/old-licenses/library.txt>
  43. Files: external/singleapplication/*
  44. Copyright: 2015 - 2016 Itay Grudev
  45. License: Expat
  46. Files: external/Qt-Color-Widgets/*
  47. Copyright: 2013-2017 Mattia Basaglia <mattia.basaglia@gmail.com>
  48. License: LGPL-3+
  49. Comment:
  50. As a special exception, this library can be included in any project under the
  51. terms of any of the GNU licenses, distributing the whole project under a
  52. different GNU license, see LICENSE-EXCEPTION for details.
  53. .
  54. Linking this library statically or dynamically with other modules is making a
  55. combined work based on this library. Thus, the terms and conditions of the
  56. GNU Lesser General Public License version 3 cover the whole combination.
  57. .
  58. As a special exception, the copyright holders of this library give you
  59. permission to combine this library with independent
  60. modules to produce an executable, and to copy and distribute the resulting
  61. executable under terms of any of the GNU General Public licenses, as published
  62. by the Free Software Foundation, provided that you also meet,
  63. for each linked independent module, the terms and conditions of the license of
  64. that module. An independent module is a module which is not derived from or
  65. based on this library. If you modify this library, you may extend this
  66. exception to your version of the library, but you are not obliged to do so.
  67. If you do not wish to do so, delete this exception statement from your version.
  68. License: LGPL-3+
  69. This program is free software: you can redistribute it and/or modify
  70. it under the terms of the GNU General Lesser Public License as published
  71. by the Free Software Foundation, either version 3 of the License, or
  72. (at your option) any later version.
  73. .
  74. This package is distributed in the hope that it will be useful,
  75. but WITHOUT ANY WARRANTY; without even the implied warranty of
  76. MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
  77. GNU Lesser General Public License for more details.
  78. .
  79. You should have received a copy of the GNU General Lesser Public License
  80. along with this program. If not, see <https://www.gnu.org/licenses/>.
  81. .
  82. On Debian systems, the complete text of the GNU Lesser General Public
  83. License version 3 can be found in "/usr/share/common-licenses/LGPL-3".
  84. License: Expat
  85. The MIT License (MIT)
  86. .
  87. Permission is hereby granted, free of charge, to any person obtaining a copy
  88. of this software and associated documentation files (the "Software"), to deal
  89. in the Software without restriction, including without limitation the rights
  90. to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
  91. copies of the Software, and to permit persons to whom the Software is
  92. furnished to do so, subject to the following conditions:
  93. .
  94. The above copyright notice and this permission notice shall be included in
  95. all copies or substantial portions of the Software.
  96. .
  97. THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
  98. IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
  99. FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
  100. AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
  101. LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
  102. OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
  103. THE SOFTWARE.
  104. License: Apache-2.0
  105. Google Material Design Icons are licensed under Apache License 2.0.
  106. .
  107. On Debian systems, the complete text of Apache License 2.0 can be
  108. found in "/usr/share/common-licenses/Apache-2.0".
  109. License: Free-Art-License-1.3
  110. Free Art License 1.3 (FAL 1.3)
  111. .
  112. Preamble
  113. .
  114. The Free Art License grants the right to freely copy, distribute, and
  115. transform creative works without infringing the author's rights.
  116. .
  117. The Free Art License recognizes and protects these rights. Their
  118. implementation has been reformulated in order to allow everyone to use
  119. creations of the human mind in a creative manner, regardless of their
  120. types and ways of expression.
  121. .
  122. While the public's access to creations of the human mind usually is
  123. restricted by the implementation of copyright law, it is favoured by
  124. the Free Art License. This license intends to allow the use of a
  125. work’s resources; to establish new conditions for creating in order to
  126. increase creation opportunities. The Free Art License grants the right
  127. to use a work, and acknowledges the right holder’s and the user’s
  128. rights and responsibility.
  129. .
  130. The invention and development of digital technologies, Internet and
  131. Free Software have changed creation methods: creations of the human
  132. mind can obviously be distributed, exchanged, and transformed. They
  133. allow to produce common works to which everyone can contribute to the
  134. benefit of all.
  135. .
  136. The main rationale for this Free Art License is to promote and protect
  137. these creations of the human mind according to the principles of
  138. copyleft: freedom to use, copy, distribute, transform, and prohibition
  139. of exclusive appropriation.
  140. .
  141. Definitions
  142. .
  143. “work” either means the initial work, the subsequent works or the
  144. common work as defined hereafter:
  145. .
  146. “common work” means a work composed of the initial work and all
  147. subsequent contributions to it (originals and copies). The initial
  148. author is the one who, by choosing this license, defines the
  149. conditions under which contributions are made.
  150. .
  151. “Initial work” means the work created by the initiator of the common
  152. work (as defined above), the copies of which can be modified by
  153. whoever wants to
  154. .
  155. “Subsequent works” means the contributions made by authors who
  156. participate in the evolution of the common work by exercising the
  157. rights to reproduce, distribute, and modify that are granted by the
  158. license.
  159. .
  160. “Originals” (sources or resources of the work) means all copies of
  161. either the initial work or any subsequent work mentioning a date and
  162. used by their author(s) as references for any subsequent updates,
  163. interpretations, copies or reproductions.
  164. .
  165. “Copy” means any reproduction of an original as defined by this
  166. license.
  167. .
  168. 1. OBJECT
  169. .
  170. The aim of this license is to define the conditions under which one
  171. can use this work freely.
  172. .
  173. 2. SCOPE
  174. .
  175. This work is subject to copyright law. Through this license its author
  176. specifies the extent to which you can copy, distribute, and modify it.
  177. .
  178. 2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)
  179. .
  180. You have the right to copy this work for yourself, your friends or any
  181. other person, whatever the technique used.
  182. .
  183. 2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC
  184. .
  185. You have the right to distribute copies of this work; whether modified
  186. or not, whatever the medium and the place, with or without any charge,
  187. provided that you: attach this license without any modification to the
  188. copies of this work or indicate precisely where the license can be
  189. found, specify to the recipient the names of the author(s) of the
  190. originals, including yours if you have modified the work, specify to
  191. the recipient where to access the originals (either initial or
  192. subsequent).
  193. .
  194. The authors of the originals may, if they wish to, give you the right
  195. to distribute the originals under the same conditions as the copies.
  196. .
  197. 2.3 FREEDOM TO MODIFY
  198. .
  199. You have the right to modify copies of the originals (whether initial
  200. or subsequent) provided you comply with the following conditions: all
  201. conditions in article 2.2 above, if you distribute modified copies;
  202. indicate that the work has been modified and, if it is possible, what
  203. kind of modifications have been made; distribute the subsequent work
  204. under the same license or any compatible license.
  205. .
  206. The author(s) of the original work may give you the right to modify it
  207. under the same conditions as the copies.
  208. .
  209. 3. RELATED RIGHTS
  210. .
  211. Activities giving rise to author’s rights and related rights shall not
  212. challenge the rights granted by this license.
  213. .
  214. For example, this is the reason why performances must be subject to
  215. the same license or a compatible license. Similarly, integrating the
  216. work in a database, a compilation or an anthology shall not prevent
  217. anyone from using the work under the same conditions as those defined
  218. in this license.
  219. .
  220. 4. INCORPORATION OF THE WORK
  221. .
  222. Incorporating this work into a larger work that is not subject to the
  223. Free Art License shall not challenge the rights granted by this
  224. license.
  225. .
  226. If the work can no longer be accessed apart from the larger work in
  227. which it is incorporated, then incorporation shall only be allowed
  228. under the condition that the larger work is subject either to the Free
  229. Art License or a compatible license.
  230. .
  231. 5. COMPATIBILITY
  232. .
  233. A license is compatible with the Free Art License provided: it gives
  234. the right to copy, distribute, and modify copies of the work including
  235. for commercial purposes and without any other restrictions than those
  236. required by the respect of the other compatibility criteria; it
  237. ensures proper attribution of the work to its authors and access to
  238. previous versions of the work when possible; it recognizes the Free
  239. Art License as compatible (reciprocity); it requires that changes made
  240. to the work be subject to the same license or to a license which also
  241. meets these compatibility criteria.
  242. .
  243. 6. YOUR INTELLECTUAL RIGHTS
  244. .
  245. This license does not aim at denying your author's rights in your
  246. contribution or any related right. By choosing to contribute to the
  247. development of this common work, you only agree to grant others the
  248. same rights with regard to your contribution as those you were granted
  249. by this license. Conferring these rights does not mean you have to
  250. give up your intellectual rights.
  251. .
  252. 7. YOUR RESPONSIBILITIES
  253. .
  254. The freedom to use the work as defined by the Free Art License (right
  255. to copy, distribute, modify) implies that everyone is responsible for
  256. their own actions.
  257. .
  258. 8. DURATION OF THE LICENSE
  259. .
  260. This license takes effect as of your acceptance of its terms. The act
  261. of copying, distributing, or modifying the work constitutes a tacit
  262. agreement. This license will remain in effect for as long as the
  263. copyright which is attached to the work. If you do not respect the
  264. terms of this license, you automatically lose the rights that it
  265. confers.
  266. .
  267. If the legal status or legislation to which you are subject makes it
  268. impossible for you to respect the terms of this license, you may not
  269. make use of the rights which it confers.
  270. .
  271. 9. VARIOUS VERSIONS OF THE LICENSE
  272. .
  273. This license may undergo periodic modifications to incorporate
  274. improvements by its authors (instigators of the “Copyleft Attitude”
  275. movement) by way of new, numbered versions.
  276. .
  277. You will always have the choice of accepting the terms contained in
  278. the version under which the copy of the work was distributed to you,
  279. or alternatively, to use the provisions of one of the subsequent
  280. versions.
  281. .
  282. 10. SUB-LICENSING
  283. .
  284. Sub-licenses are not authorized by this license. Any person wishing to
  285. make use of the rights that it confers will be directly bound to the
  286. authors of the common work.
  287. .
  288. 11. LEGAL FRAMEWORK
  289. .
  290. This license is written with respect to both French law and the Berne
  291. Convention for the Protection of Literary and Artistic Works.
  292. .
  293. USER GUIDE
  294. .
  295. - How to use the Free Art License?
  296. .
  297. To benefit from the Free Art License, you only need to mention the
  298. following elements on your work:
  299. .
  300. [Name of the author, title, date of the work. When applicable, names
  301. of authors of the common work and, if possible, where to find the
  302. originals].
  303. .
  304. Copyleft: This is a free work, you can copy, distribute, and modify it
  305. under the terms of the Free Art License
  306. http://artlibre.org/licence/lal/en/
  307. .
  308. - Why to use the Free Art License?
  309. .
  310. 1.To give the greatest number of people access to your work.
  311. .
  312. 2.To allow it to be distributed freely.
  313. .
  314. 3.To allow it to evolve by allowing its copy, distribution, and
  315. transformation by others.
  316. .
  317. 4.So that you benefit from the resources of a work when it is under
  318. the Free Art License: to be able to copy, distribute or transform
  319. it freely.
  320. .
  321. 5.But also, because the Free Art License offers a legal framework to
  322. disallow any misappropriation. It is forbidden to take hold of
  323. your work and bypass the creative process for one's exclusive
  324. possession.
  325. .
  326. .
  327. - When to use the Free Art License?
  328. .
  329. Any time you want to benefit and make others benefit from the right to
  330. copy, distribute and transform creative works without any exclusive
  331. appropriation, you should use the Free Art License. You can for
  332. example use it for scientific, artistic or educational projects.
  333. .
  334. - What kinds of works can be subject to the Free Art License?
  335. .
  336. The Free Art License can be applied to digital as well as physical
  337. works. You can choose to apply the Free Art License on any text,
  338. picture, sound, gesture, or whatever sort of stuff on which you have
  339. sufficient author's rights.
  340. .
  341. - Historical background of this license:
  342. .
  343. It is the result of observing, using and creating digital
  344. technologies, free software, the Internet and art. It arose from the
  345. “Copyleft Attitude” meetings which took place in Paris in 2000. For
  346. the first time, these meetings brought together members of the Free
  347. Software community, artists, and members of the art world. The goal
  348. was to adapt the principles of Copyleft and free software to all sorts
  349. of creations. http://www.artlibre.org
  350. .
  351. Copyleft Attitude, 2007.
  352. .
  353. You can make reproductions and distribute this license verbatim
  354. (without any changes).
  355. .
  356. Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
  357. Mourguet, Antoine Pitrou. Thanks to framalang.org
  358. License: GPL-3+
  359. This program is free software: you can redistribute it and/or modify
  360. it under the terms of the GNU General Public License as published by
  361. the Free Software Foundation, either version 3 of the License, or
  362. (at your option) any later version.
  363. .
  364. This package is distributed in the hope that it will be useful,
  365. but WITHOUT ANY WARRANTY; without even the implied warranty of
  366. MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
  367. GNU General Public License for more details.
  368. .
  369. You should have received a copy of the GNU General Public License
  370. along with this program. If not, see <https://www.gnu.org/licenses/>.
  371. .
  372. On Debian systems, the complete text of the GNU General
  373. Public License version 3 can be found in "/usr/share/common-licenses/GPL-3".
  374. License: CC0-1.0
  375. On Debian systems, the complete text of the Creative Commons Zero v1.0
  376. Universal License can be found in "/usr/share/common-licenses/CC0-1.0".