encoders.texi 23 KB

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  1. @chapter Encoders
  2. @c man begin ENCODERS
  3. Encoders are configured elements in FFmpeg which allow the encoding of
  4. multimedia streams.
  5. When you configure your FFmpeg build, all the supported native encoders
  6. are enabled by default. Encoders requiring an external library must be enabled
  7. manually via the corresponding @code{--enable-lib} option. You can list all
  8. available encoders using the configure option @code{--list-encoders}.
  9. You can disable all the encoders with the configure option
  10. @code{--disable-encoders} and selectively enable / disable single encoders
  11. with the options @code{--enable-encoder=@var{ENCODER}} /
  12. @code{--disable-encoder=@var{ENCODER}}.
  13. The option @code{-codecs} of the ff* tools will display the list of
  14. enabled encoders.
  15. @c man end ENCODERS
  16. @chapter Audio Encoders
  17. @c man begin AUDIO ENCODERS
  18. A description of some of the currently available audio encoders
  19. follows.
  20. @section ac3 and ac3_fixed
  21. AC-3 audio encoders.
  22. These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
  23. the undocumented RealAudio 3 (a.k.a. dnet).
  24. The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
  25. encoder only uses fixed-point integer math. This does not mean that one is
  26. always faster, just that one or the other may be better suited to a
  27. particular system. The floating-point encoder will generally produce better
  28. quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
  29. default codec for any of the output formats, so it must be specified explicitly
  30. using the option @code{-acodec ac3_fixed} in order to use it.
  31. @subsection AC-3 Metadata
  32. The AC-3 metadata options are used to set parameters that describe the audio,
  33. but in most cases do not affect the audio encoding itself. Some of the options
  34. do directly affect or influence the decoding and playback of the resulting
  35. bitstream, while others are just for informational purposes. A few of the
  36. options will add bits to the output stream that could otherwise be used for
  37. audio data, and will thus affect the quality of the output. Those will be
  38. indicated accordingly with a note in the option list below.
  39. These parameters are described in detail in several publicly-available
  40. documents.
  41. @itemize
  42. @item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
  43. @item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
  44. @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
  45. @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
  46. @end itemize
  47. @subsubsection Metadata Control Options
  48. @table @option
  49. @item -per_frame_metadata @var{boolean}
  50. Allow Per-Frame Metadata. Specifies if the encoder should check for changing
  51. metadata for each frame.
  52. @table @option
  53. @item 0
  54. The metadata values set at initialization will be used for every frame in the
  55. stream. (default)
  56. @item 1
  57. Metadata values can be changed before encoding each frame.
  58. @end table
  59. @end table
  60. @subsubsection Downmix Levels
  61. @table @option
  62. @item -center_mixlev @var{level}
  63. Center Mix Level. The amount of gain the decoder should apply to the center
  64. channel when downmixing to stereo. This field will only be written to the
  65. bitstream if a center channel is present. The value is specified as a scale
  66. factor. There are 3 valid values:
  67. @table @option
  68. @item 0.707
  69. Apply -3dB gain
  70. @item 0.595
  71. Apply -4.5dB gain (default)
  72. @item 0.500
  73. Apply -6dB gain
  74. @end table
  75. @item -surround_mixlev @var{level}
  76. Surround Mix Level. The amount of gain the decoder should apply to the surround
  77. channel(s) when downmixing to stereo. This field will only be written to the
  78. bitstream if one or more surround channels are present. The value is specified
  79. as a scale factor. There are 3 valid values:
  80. @table @option
  81. @item 0.707
  82. Apply -3dB gain
  83. @item 0.500
  84. Apply -6dB gain (default)
  85. @item 0.000
  86. Silence Surround Channel(s)
  87. @end table
  88. @end table
  89. @subsubsection Audio Production Information
  90. Audio Production Information is optional information describing the mixing
  91. environment. Either none or both of the fields are written to the bitstream.
  92. @table @option
  93. @item -mixing_level @var{number}
  94. Mixing Level. Specifies peak sound pressure level (SPL) in the production
  95. environment when the mix was mastered. Valid values are 80 to 111, or -1 for
  96. unknown or not indicated. The default value is -1, but that value cannot be
  97. used if the Audio Production Information is written to the bitstream. Therefore,
  98. if the @code{room_type} option is not the default value, the @code{mixing_level}
  99. option must not be -1.
  100. @item -room_type @var{type}
  101. Room Type. Describes the equalization used during the final mixing session at
  102. the studio or on the dubbing stage. A large room is a dubbing stage with the
  103. industry standard X-curve equalization; a small room has flat equalization.
  104. This field will not be written to the bitstream if both the @code{mixing_level}
  105. option and the @code{room_type} option have the default values.
  106. @table @option
  107. @item 0
  108. @itemx notindicated
  109. Not Indicated (default)
  110. @item 1
  111. @itemx large
  112. Large Room
  113. @item 2
  114. @itemx small
  115. Small Room
  116. @end table
  117. @end table
  118. @subsubsection Other Metadata Options
  119. @table @option
  120. @item -copyright @var{boolean}
  121. Copyright Indicator. Specifies whether a copyright exists for this audio.
  122. @table @option
  123. @item 0
  124. @itemx off
  125. No Copyright Exists (default)
  126. @item 1
  127. @itemx on
  128. Copyright Exists
  129. @end table
  130. @item -dialnorm @var{value}
  131. Dialogue Normalization. Indicates how far the average dialogue level of the
  132. program is below digital 100% full scale (0 dBFS). This parameter determines a
  133. level shift during audio reproduction that sets the average volume of the
  134. dialogue to a preset level. The goal is to match volume level between program
  135. sources. A value of -31dB will result in no volume level change, relative to
  136. the source volume, during audio reproduction. Valid values are whole numbers in
  137. the range -31 to -1, with -31 being the default.
  138. @item -dsur_mode @var{mode}
  139. Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
  140. (Pro Logic). This field will only be written to the bitstream if the audio
  141. stream is stereo. Using this option does @b{NOT} mean the encoder will actually
  142. apply Dolby Surround processing.
  143. @table @option
  144. @item 0
  145. @itemx notindicated
  146. Not Indicated (default)
  147. @item 1
  148. @itemx off
  149. Not Dolby Surround Encoded
  150. @item 2
  151. @itemx on
  152. Dolby Surround Encoded
  153. @end table
  154. @item -original @var{boolean}
  155. Original Bit Stream Indicator. Specifies whether this audio is from the
  156. original source and not a copy.
  157. @table @option
  158. @item 0
  159. @itemx off
  160. Not Original Source
  161. @item 1
  162. @itemx on
  163. Original Source (default)
  164. @end table
  165. @end table
  166. @subsection Extended Bitstream Information
  167. The extended bitstream options are part of the Alternate Bit Stream Syntax as
  168. specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
  169. If any one parameter in a group is specified, all values in that group will be
  170. written to the bitstream. Default values are used for those that are written
  171. but have not been specified. If the mixing levels are written, the decoder
  172. will use these values instead of the ones specified in the @code{center_mixlev}
  173. and @code{surround_mixlev} options if it supports the Alternate Bit Stream
  174. Syntax.
  175. @subsubsection Extended Bitstream Information - Part 1
  176. @table @option
  177. @item -dmix_mode @var{mode}
  178. Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
  179. (Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
  180. @table @option
  181. @item 0
  182. @itemx notindicated
  183. Not Indicated (default)
  184. @item 1
  185. @itemx ltrt
  186. Lt/Rt Downmix Preferred
  187. @item 2
  188. @itemx loro
  189. Lo/Ro Downmix Preferred
  190. @end table
  191. @item -ltrt_cmixlev @var{level}
  192. Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
  193. center channel when downmixing to stereo in Lt/Rt mode.
  194. @table @option
  195. @item 1.414
  196. Apply +3dB gain
  197. @item 1.189
  198. Apply +1.5dB gain
  199. @item 1.000
  200. Apply 0dB gain
  201. @item 0.841
  202. Apply -1.5dB gain
  203. @item 0.707
  204. Apply -3.0dB gain
  205. @item 0.595
  206. Apply -4.5dB gain (default)
  207. @item 0.500
  208. Apply -6.0dB gain
  209. @item 0.000
  210. Silence Center Channel
  211. @end table
  212. @item -ltrt_surmixlev @var{level}
  213. Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
  214. surround channel(s) when downmixing to stereo in Lt/Rt mode.
  215. @table @option
  216. @item 0.841
  217. Apply -1.5dB gain
  218. @item 0.707
  219. Apply -3.0dB gain
  220. @item 0.595
  221. Apply -4.5dB gain
  222. @item 0.500
  223. Apply -6.0dB gain (default)
  224. @item 0.000
  225. Silence Surround Channel(s)
  226. @end table
  227. @item -loro_cmixlev @var{level}
  228. Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
  229. center channel when downmixing to stereo in Lo/Ro mode.
  230. @table @option
  231. @item 1.414
  232. Apply +3dB gain
  233. @item 1.189
  234. Apply +1.5dB gain
  235. @item 1.000
  236. Apply 0dB gain
  237. @item 0.841
  238. Apply -1.5dB gain
  239. @item 0.707
  240. Apply -3.0dB gain
  241. @item 0.595
  242. Apply -4.5dB gain (default)
  243. @item 0.500
  244. Apply -6.0dB gain
  245. @item 0.000
  246. Silence Center Channel
  247. @end table
  248. @item -loro_surmixlev @var{level}
  249. Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
  250. surround channel(s) when downmixing to stereo in Lo/Ro mode.
  251. @table @option
  252. @item 0.841
  253. Apply -1.5dB gain
  254. @item 0.707
  255. Apply -3.0dB gain
  256. @item 0.595
  257. Apply -4.5dB gain
  258. @item 0.500
  259. Apply -6.0dB gain (default)
  260. @item 0.000
  261. Silence Surround Channel(s)
  262. @end table
  263. @end table
  264. @subsubsection Extended Bitstream Information - Part 2
  265. @table @option
  266. @item -dsurex_mode @var{mode}
  267. Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
  268. (7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
  269. apply Dolby Surround EX processing.
  270. @table @option
  271. @item 0
  272. @itemx notindicated
  273. Not Indicated (default)
  274. @item 1
  275. @itemx on
  276. Dolby Surround EX Off
  277. @item 2
  278. @itemx off
  279. Dolby Surround EX On
  280. @end table
  281. @item -dheadphone_mode @var{mode}
  282. Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
  283. encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
  284. option does @b{NOT} mean the encoder will actually apply Dolby Headphone
  285. processing.
  286. @table @option
  287. @item 0
  288. @itemx notindicated
  289. Not Indicated (default)
  290. @item 1
  291. @itemx on
  292. Dolby Headphone Off
  293. @item 2
  294. @itemx off
  295. Dolby Headphone On
  296. @end table
  297. @item -ad_conv_type @var{type}
  298. A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
  299. conversion.
  300. @table @option
  301. @item 0
  302. @itemx standard
  303. Standard A/D Converter (default)
  304. @item 1
  305. @itemx hdcd
  306. HDCD A/D Converter
  307. @end table
  308. @end table
  309. @subsection Other AC-3 Encoding Options
  310. @table @option
  311. @item -stereo_rematrixing @var{boolean}
  312. Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
  313. is an optional AC-3 feature that increases quality by selectively encoding
  314. the left/right channels as mid/side. This option is enabled by default, and it
  315. is highly recommended that it be left as enabled except for testing purposes.
  316. @end table
  317. @subsection Floating-Point-Only AC-3 Encoding Options
  318. These options are only valid for the floating-point encoder and do not exist
  319. for the fixed-point encoder due to the corresponding features not being
  320. implemented in fixed-point.
  321. @table @option
  322. @item -channel_coupling @var{boolean}
  323. Enables/Disables use of channel coupling, which is an optional AC-3 feature
  324. that increases quality by combining high frequency information from multiple
  325. channels into a single channel. The per-channel high frequency information is
  326. sent with less accuracy in both the frequency and time domains. This allows
  327. more bits to be used for lower frequencies while preserving enough information
  328. to reconstruct the high frequencies. This option is enabled by default for the
  329. floating-point encoder and should generally be left as enabled except for
  330. testing purposes or to increase encoding speed.
  331. @table @option
  332. @item -1
  333. @itemx auto
  334. Selected by Encoder (default)
  335. @item 0
  336. @itemx off
  337. Disable Channel Coupling
  338. @item 1
  339. @itemx on
  340. Enable Channel Coupling
  341. @end table
  342. @item -cpl_start_band @var{number}
  343. Coupling Start Band. Sets the channel coupling start band, from 1 to 15. If a
  344. value higher than the bandwidth is used, it will be reduced to 1 less than the
  345. coupling end band. If @var{auto} is used, the start band will be determined by
  346. the encoder based on the bit rate, sample rate, and channel layout. This option
  347. has no effect if channel coupling is disabled.
  348. @table @option
  349. @item -1
  350. @itemx auto
  351. Selected by Encoder (default)
  352. @end table
  353. @end table
  354. @section libmp3lame
  355. LAME (Lame Ain't an MP3 Encoder) MP3 encoder wrapper
  356. Requires the presence of the libmp3lame headers and library during
  357. configuration. You need to explicitly configure the build with
  358. @code{--enable-libmp3lame}.
  359. @subsection Option Mapping
  360. The following options are supported by the libmp3lame wrapper,
  361. the LAME-equivalent options follow the FFmpeg ones.
  362. @multitable @columnfractions .2 .2
  363. @item FFmpeg @tab LAME
  364. @item b @tab b
  365. FFmpeg @code{b} option is expressed in bits/s, lame @code{bitrate}
  366. in kilobits/s.
  367. @item q @tab V
  368. Quality setting for VBR.
  369. @item compression_level @tab q
  370. Algorithm quality. Valid options are integers from 0-9.
  371. @item reservoir @tab N.A.
  372. Enable use of bit reservoir. LAME has this enabled by default.
  373. @item joint_stereo @tab -m j
  374. Enables the the encoder to use (on a frame by frame basis) either L/R
  375. stereo or mid/side stereo.
  376. @end multitable
  377. @section libopencore-amrnb
  378. OpenCORE Adaptive Multi-Rate Narrowband encoder.
  379. Requires the presence of the libopencore-amrnb headers and library during
  380. configuration. You need to explicitly configure the build with
  381. @code{--enable-libopencore-amrnb --enable-version3}.
  382. This is a mono-only encoder. Officially it only supports 8000Hz sample rate,
  383. but you can override it by setting @option{strict} to @samp{unofficial} or
  384. lower.
  385. @subsection Options
  386. @table @option
  387. @item b
  388. Set bitrate in bits per second. Only the following bitrates are supported,
  389. otherwise libavcodec will round to the nearest valid bitrate.
  390. @table @option
  391. @item 4750
  392. @item 5150
  393. @item 5900
  394. @item 6700
  395. @item 7400
  396. @item 7950
  397. @item 10200
  398. @item 12200
  399. @end table
  400. @item dtx
  401. Allow discontinuous transmission (generate comfort noise) when set to 1. The
  402. default value is 0 (disabled).
  403. @end table
  404. @section libtwolame
  405. TwoLAME MP2 encoder wrapper
  406. Requires the presence of the libtwolame headers and library during
  407. configuration. You need to explicitly configure the build with
  408. @code{--enable-libtwolame}.
  409. @subsection Options Mapping
  410. The following options are supported by the libtwolame wrapper. The
  411. TwoLAME-equivalent options follow the FFmpeg ones and are in
  412. parentheses.
  413. @table @option
  414. @item b
  415. (b) Set bitrate in bits/s. Note that FFmpeg @code{b} option is
  416. expressed in bits/s, twolame @code{b} in kilobits/s. The default
  417. value is 128k.
  418. @item q
  419. (V) Set quality for experimental VBR support. Maximum value range is
  420. from -50 to 50, useful range is from -10 to 10.
  421. @item mode
  422. (mode) Set MPEG mode. Possible values:
  423. @table @samp
  424. @item auto
  425. Choose mode automatically based on the input. This is the default.
  426. @item stereo
  427. Stereo
  428. @item joint_stereo
  429. Joint stereo
  430. @item dual_channel
  431. Dual channel
  432. @item mono
  433. Mono
  434. @end table
  435. @item psymodel
  436. (psyc-mode) Set psychoacoustic model to use in encoding. The argument
  437. must be an integer between -1 and 4, inclusive. The higher the value,
  438. the better the quality. The default value is 3.
  439. @item energy_levels
  440. (energy) Enable energy levels extensions when set to 1. The default
  441. value is 0 (disabled).
  442. @item error_protection
  443. (protect) Enable CRC error protection when set to 1. The default value
  444. is 0 (disabled).
  445. @item copyright
  446. (copyright) Set MPEG audio copyright flag when set to 1. The default
  447. value is 0 (disabled).
  448. @item original
  449. (original) Set MPEG audio original flag when set to 1. The default
  450. value is 0 (disabled).
  451. @end table
  452. @section libvo-aacenc
  453. VisualOn AAC encoder
  454. Requires the presence of the libvo-aacenc headers and library during
  455. configuration. You need to explicitly configure the build with
  456. @code{--enable-libvo-aacenc --enable-version3}.
  457. @subsection Options
  458. The VisualOn AAC encoder only support encoding AAC-LC and up to 2
  459. channels. It is also CBR-only. It is considered to be worse than the
  460. native experimental FFmpeg AAC encoder.
  461. @table @option
  462. @item b
  463. Bitrate.
  464. @end table
  465. @section libvo-amrwbenc
  466. VisualOn Adaptive Multi-Rate Wideband encoder
  467. Requires the presence of the libvo-amrwbenc headers and library during
  468. configuration. You need to explicitly configure the build with
  469. @code{--enable-libvo-amrwbenc --enable-version3}.
  470. This is a mono-only encoder. Officially it only supports 16000Hz sample
  471. rate, but you can override it by setting @option{strict} to
  472. @samp{unofficial} or lower.
  473. @subsection Options
  474. @table @option
  475. @item b
  476. Set bitrate in bits/s. Only the following bitrates are supported, otherwise
  477. libavcodec will round to the nearest valid bitrate.
  478. @table @samp
  479. @item 6600
  480. @item 8850
  481. @item 12650
  482. @item 14250
  483. @item 15850
  484. @item 18250
  485. @item 19850
  486. @item 23050
  487. @item 23850
  488. @end table
  489. @item dtx
  490. Allow discontinuous transmission (generate comfort noise) when set to 1. The
  491. default value is 0 (disabled).
  492. @end table
  493. @c man end AUDIO ENCODERS
  494. @chapter Video Encoders
  495. @c man begin VIDEO ENCODERS
  496. A description of some of the currently available video encoders
  497. follows.
  498. @section libvpx
  499. VP8 format supported through libvpx.
  500. Requires the presence of the libvpx headers and library during configuration.
  501. You need to explicitly configure the build with @code{--enable-libvpx}.
  502. @subsection Options
  503. Mapping from FFmpeg to libvpx options with conversion notes in parentheses.
  504. @table @option
  505. @item threads
  506. g_threads
  507. @item profile
  508. g_profile
  509. @item vb
  510. rc_target_bitrate
  511. @item g
  512. kf_max_dist
  513. @item keyint_min
  514. kf_min_dist
  515. @item qmin
  516. rc_min_quantizer
  517. @item qmax
  518. rc_max_quantizer
  519. @item bufsize, vb
  520. rc_buf_sz
  521. @code{(bufsize * 1000 / vb)}
  522. rc_buf_optimal_sz
  523. @code{(bufsize * 1000 / vb * 5 / 6)}
  524. @item rc_init_occupancy, vb
  525. rc_buf_initial_sz
  526. @code{(rc_init_occupancy * 1000 / vb)}
  527. @item rc_buffer_aggressivity
  528. rc_undershoot_pct
  529. @item skip_threshold
  530. rc_dropframe_thresh
  531. @item qcomp
  532. rc_2pass_vbr_bias_pct
  533. @item maxrate, vb
  534. rc_2pass_vbr_maxsection_pct
  535. @code{(maxrate * 100 / vb)}
  536. @item minrate, vb
  537. rc_2pass_vbr_minsection_pct
  538. @code{(minrate * 100 / vb)}
  539. @item minrate, maxrate, vb
  540. @code{VPX_CBR}
  541. @code{(minrate == maxrate == vb)}
  542. @item crf
  543. @code{VPX_CQ}, @code{VP8E_SET_CQ_LEVEL}
  544. @item quality
  545. @table @option
  546. @item @var{best}
  547. @code{VPX_DL_BEST_QUALITY}
  548. @item @var{good}
  549. @code{VPX_DL_GOOD_QUALITY}
  550. @item @var{realtime}
  551. @code{VPX_DL_REALTIME}
  552. @end table
  553. @item speed
  554. @code{VP8E_SET_CPUUSED}
  555. @item nr
  556. @code{VP8E_SET_NOISE_SENSITIVITY}
  557. @item mb_threshold
  558. @code{VP8E_SET_STATIC_THRESHOLD}
  559. @item slices
  560. @code{VP8E_SET_TOKEN_PARTITIONS}
  561. @item max-intra-rate
  562. @code{VP8E_SET_MAX_INTRA_BITRATE_PCT}
  563. @item force_key_frames
  564. @code{VPX_EFLAG_FORCE_KF}
  565. @item Alternate reference frame related
  566. @table @option
  567. @item vp8flags altref
  568. @code{VP8E_SET_ENABLEAUTOALTREF}
  569. @item @var{arnr_max_frames}
  570. @code{VP8E_SET_ARNR_MAXFRAMES}
  571. @item @var{arnr_type}
  572. @code{VP8E_SET_ARNR_TYPE}
  573. @item @var{arnr_strength}
  574. @code{VP8E_SET_ARNR_STRENGTH}
  575. @item @var{rc_lookahead}
  576. g_lag_in_frames
  577. @end table
  578. @item vp8flags error_resilient
  579. g_error_resilient
  580. @end table
  581. For more information about libvpx see:
  582. @url{http://www.webmproject.org/}
  583. @section libx264
  584. H.264 / AVC / MPEG-4 AVC / MPEG-4 part 10 format supported through
  585. libx264.
  586. Requires the presence of the libx264 headers and library during
  587. configuration. You need to explicitly configure the build with
  588. @code{--enable-libx264}.
  589. @subsection Options
  590. @table @option
  591. @item preset @var{preset_name}
  592. Set the encoding preset.
  593. @item tune @var{tune_name}
  594. Tune the encoding params.
  595. @item fastfirstpass @var{bool}
  596. Use fast settings when encoding first pass, default value is 1.
  597. @item profile @var{profile_name}
  598. Set profile restrictions.
  599. @item level @var{level}
  600. Specify level (as defined by Annex A).
  601. Deprecated in favor of @var{x264opts}.
  602. @item passlogfile @var{filename}
  603. Specify filename for 2 pass stats.
  604. Deprecated in favor of @var{x264opts} (see @var{stats} libx264 option).
  605. @item wpredp @var{wpred_type}
  606. Specify Weighted prediction for P-frames.
  607. Deprecated in favor of @var{x264opts} (see @var{weightp} libx264 option).
  608. @item x264opts @var{options}
  609. Allow to set any x264 option, see x264 --fullhelp for a list.
  610. @var{options} is a list of @var{key}=@var{value} couples separated by
  611. ":".
  612. @end table
  613. For example to specify libx264 encoding options with @command{ffmpeg}:
  614. @example
  615. ffmpeg -i foo.mpg -vcodec libx264 -x264opts keyint=123:min-keyint=20 -an out.mkv
  616. @end example
  617. For more information about libx264 and the supported options see:
  618. @url{http://www.videolan.org/developers/x264.html}
  619. @section libxvid
  620. Xvid MPEG-4 Part 2 encoder wrapper.
  621. This encoder requires the presence of the libxvidcore headers and library
  622. during configuration. You need to explicitly configure the build with
  623. @code{--enable-libxvid --enable-gpl}.
  624. The native @code{mpeg4} encoder supports the MPEG-4 Part 2 format, so
  625. users can encode to this format without this library.
  626. @subsection Options
  627. The following options are supported by the libxvid wrapper. Some of
  628. the following options are listed but are not documented, and
  629. correspond to shared codec options. The other shared options
  630. which are not listed have no effect for the libxvid encoder.
  631. @table @option
  632. @item b
  633. @item g
  634. @item qmin
  635. @item qmax
  636. @item mpeg_quant
  637. @item threads
  638. @item bf
  639. @item b_qfactor
  640. @item b_qoffset
  641. @item flags
  642. Set specific encoding flags. Possible values:
  643. @table @samp
  644. @item mv4
  645. Use four motion vector by macroblock.
  646. @item aic
  647. Enable high quality AC prediction.
  648. @item gray
  649. Only encode grayscale.
  650. @item gmc
  651. Enable the use of global motion compensation (GMC).
  652. @item qpel
  653. Enable quarter-pixel motion compensation.
  654. @item cgop
  655. Enable closed GOP.
  656. @item global_header
  657. Place global headers in extradata instead of every keyframe.
  658. @end table
  659. @item trellis
  660. @item me_method
  661. Set motion estimation method. Possible values in decreasing order of
  662. speed and increasing order of quality:
  663. @table @samp
  664. @item zero
  665. Use no motion estimation (default).
  666. @item phods
  667. @item x1
  668. @item log
  669. Enable advanced diamond zonal search for 16x16 blocks and half-pixel
  670. refinement for 16x16 blocks. @samp{x1} and @samp{log} are aliases for
  671. @samp{phods}.
  672. @item epzs
  673. Enable all of the things described above, plus advanced diamond zonal
  674. search for 8x8 blocks, half-pixel refinement for 8x8 blocks, and motion
  675. estimation on chroma planes.
  676. @item full
  677. Enable all of the things described above, plus extended 16x16 and 8x8
  678. blocks search.
  679. @end table
  680. @item mbd
  681. Set macroblock decision algorithm. Possible values in the increasing
  682. order of quality:
  683. @table @samp
  684. @item simple
  685. Use macroblock comparing function algorithm (default).
  686. @item bits
  687. Enable rate distortion-based half pixel and quarter pixel refinement for
  688. 16x16 blocks.
  689. @item rd
  690. Enable all of the things described above, plus rate distortion-based
  691. half pixel and quarter pixel refinement for 8x8 blocks, and rate
  692. distortion-based search using square pattern.
  693. @end table
  694. @end table
  695. @c man end VIDEO ENCODERS