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- @chapter Encoders
- @c man begin ENCODERS
- Encoders are configured elements in FFmpeg which allow the encoding of
- multimedia streams.
- When you configure your FFmpeg build, all the supported native encoders
- are enabled by default. Encoders requiring an external library must be enabled
- manually via the corresponding @code{--enable-lib} option. You can list all
- available encoders using the configure option @code{--list-encoders}.
- You can disable all the encoders with the configure option
- @code{--disable-encoders} and selectively enable / disable single encoders
- with the options @code{--enable-encoder=@var{ENCODER}} /
- @code{--disable-encoder=@var{ENCODER}}.
- The option @code{-codecs} of the ff* tools will display the list of
- enabled encoders.
- A description of some of the currently available encoders follows.
- @section Audio Encoders
- @subsection ac3 and ac3_fixed
- AC-3 audio encoders.
- These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
- the undocumented RealAudio 3 (a.k.a. dnet).
- The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
- encoder only uses fixed-point integer math. This does not mean that one is
- always faster, just that one or the other may be better suited to a
- particular system. The floating-point encoder will generally produce better
- quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
- default codec for any of the output formats, so it must be specified explicitly
- using the option @code{-acodec ac3_fixed} in order to use it.
- @subheading AC-3 Metadata
- The AC-3 metadata options are used to set parameters that describe the audio,
- but in most cases do not affect the audio encoding itself. Some of the options
- do directly affect or influence the decoding and playback of the resulting
- bitstream, while others are just for informational purposes. A few of the
- options will add bits to the output stream that could otherwise be used for
- audio data, and will thus affect the quality of the output. Those will be
- indicated accordingly with a note in the option list below.
- These parameters are described in detail in several publicly-available
- documents.
- @itemize
- @item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
- @item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
- @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
- @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
- @end itemize
- @subsubheading Metadata Control Options
- @table @option
- @item -per_frame_metadata @var{boolean}
- Allow Per-Frame Metadata. Specifies if the encoder should check for changing
- metadata for each frame.
- @table @option
- @item 0
- The metadata values set at initialization will be used for every frame in the
- stream. (default)
- @item 1
- Metadata values can be changed before encoding each frame.
- @end table
- @end table
- @subsubheading Downmix Levels
- @table @option
- @item -center_mixlev @var{level}
- Center Mix Level. The amount of gain the decoder should apply to the center
- channel when downmixing to stereo. This field will only be written to the
- bitstream if a center channel is present. The value is specified as a scale
- factor. There are 3 valid values:
- @table @option
- @item 0.707
- Apply -3dB gain
- @item 0.595
- Apply -4.5dB gain (default)
- @item 0.500
- Apply -6dB gain
- @end table
- @item -surround_mixlev @var{level}
- Surround Mix Level. The amount of gain the decoder should apply to the surround
- channel(s) when downmixing to stereo. This field will only be written to the
- bitstream if one or more surround channels are present. The value is specified
- as a scale factor. There are 3 valid values:
- @table @option
- @item 0.707
- Apply -3dB gain
- @item 0.500
- Apply -6dB gain (default)
- @item 0.000
- Silence Surround Channel(s)
- @end table
- @end table
- @subsubheading Audio Production Information
- Audio Production Information is optional information describing the mixing
- environment. Either none or both of the fields are written to the bitstream.
- @table @option
- @item -mixing_level @var{number}
- Mixing Level. Specifies peak sound pressure level (SPL) in the production
- environment when the mix was mastered. Valid values are 80 to 111, or -1 for
- unknown or not indicated. The default value is -1, but that value cannot be
- used if the Audio Production Information is written to the bitstream. Therefore,
- if the @code{room_type} option is not the default value, the @code{mixing_level}
- option must not be -1.
- @item -room_type @var{type}
- Room Type. Describes the equalization used during the final mixing session at
- the studio or on the dubbing stage. A large room is a dubbing stage with the
- industry standard X-curve equalization; a small room has flat equalization.
- This field will not be written to the bitstream if both the @code{mixing_level}
- option and the @code{room_type} option have the default values.
- @table @option
- @item 0
- @itemx notindicated
- Not Indicated (default)
- @item 1
- @itemx large
- Large Room
- @item 2
- @itemx small
- Small Room
- @end table
- @end table
- @subsubheading Other Metadata Options
- @table @option
- @item -copyright @var{boolean}
- Copyright Indicator. Specifies whether a copyright exists for this audio.
- @table @option
- @item 0
- @itemx off
- No Copyright Exists (default)
- @item 1
- @itemx on
- Copyright Exists
- @end table
- @item -dialnorm @var{value}
- Dialogue Normalization. Indicates how far the average dialogue level of the
- program is below digital 100% full scale (0 dBFS). This parameter determines a
- level shift during audio reproduction that sets the average volume of the
- dialogue to a preset level. The goal is to match volume level between program
- sources. A value of -31dB will result in no volume level change, relative to
- the source volume, during audio reproduction. Valid values are whole numbers in
- the range -31 to -1, with -31 being the default.
- @item -dsur_mode @var{mode}
- Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
- (Pro Logic). This field will only be written to the bitstream if the audio
- stream is stereo. Using this option does @b{NOT} mean the encoder will actually
- apply Dolby Surround processing.
- @table @option
- @item 0
- @itemx notindicated
- Not Indicated (default)
- @item 1
- @itemx off
- Not Dolby Surround Encoded
- @item 2
- @itemx on
- Dolby Surround Encoded
- @end table
- @item -original @var{boolean}
- Original Bit Stream Indicator. Specifies whether this audio is from the
- original source and not a copy.
- @table @option
- @item 0
- @itemx off
- Not Original Source
- @item 1
- @itemx on
- Original Source (default)
- @end table
- @end table
- @subsubheading Extended Bitstream Information
- The extended bitstream options are part of the Alternate Bit Stream Syntax as
- specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
- If any one parameter in a group is specified, all values in that group will be
- written to the bitstream. Default values are used for those that are written
- but have not been specified. If the mixing levels are written, the decoder
- will use these values instead of the ones specified in the @code{center_mixlev}
- and @code{surround_mixlev} options if it supports the Alternate Bit Stream
- Syntax.
- @subsubheading Extended Bitstream Information - Part 1
- @table @option
- @item -dmix_mode @var{mode}
- Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
- (Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
- @table @option
- @item 0
- @itemx notindicated
- Not Indicated (default)
- @item 1
- @itemx ltrt
- Lt/Rt Downmix Preferred
- @item 2
- @itemx loro
- Lo/Ro Downmix Preferred
- @end table
- @item -ltrt_cmixlev @var{level}
- Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
- center channel when downmixing to stereo in Lt/Rt mode.
- @table @option
- @item 1.414
- Apply +3dB gain
- @item 1.189
- Apply +1.5dB gain
- @item 1.000
- Apply 0dB gain
- @item 0.841
- Apply -1.5dB gain
- @item 0.707
- Apply -3.0dB gain
- @item 0.595
- Apply -4.5dB gain (default)
- @item 0.500
- Apply -6.0dB gain
- @item 0.000
- Silence Center Channel
- @end table
- @item -ltrt_surmixlev @var{level}
- Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
- surround channel(s) when downmixing to stereo in Lt/Rt mode.
- @table @option
- @item 0.841
- Apply -1.5dB gain
- @item 0.707
- Apply -3.0dB gain
- @item 0.595
- Apply -4.5dB gain
- @item 0.500
- Apply -6.0dB gain (default)
- @item 0.000
- Silence Surround Channel(s)
- @end table
- @item -loro_cmixlev @var{level}
- Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
- center channel when downmixing to stereo in Lo/Ro mode.
- @table @option
- @item 1.414
- Apply +3dB gain
- @item 1.189
- Apply +1.5dB gain
- @item 1.000
- Apply 0dB gain
- @item 0.841
- Apply -1.5dB gain
- @item 0.707
- Apply -3.0dB gain
- @item 0.595
- Apply -4.5dB gain (default)
- @item 0.500
- Apply -6.0dB gain
- @item 0.000
- Silence Center Channel
- @end table
- @item -loro_surmixlev @var{level}
- Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
- surround channel(s) when downmixing to stereo in Lo/Ro mode.
- @table @option
- @item 0.841
- Apply -1.5dB gain
- @item 0.707
- Apply -3.0dB gain
- @item 0.595
- Apply -4.5dB gain
- @item 0.500
- Apply -6.0dB gain (default)
- @item 0.000
- Silence Surround Channel(s)
- @end table
- @end table
- @subsubheading Extended Bitstream Information - Part 2
- @table @option
- @item -dsurex_mode @var{mode}
- Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
- (7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
- apply Dolby Surround EX processing.
- @table @option
- @item 0
- @itemx notindicated
- Not Indicated (default)
- @item 1
- @itemx on
- Dolby Surround EX On
- @item 2
- @itemx off
- Dolby Surround EX Off
- @end table
- @item -dheadphone_mode @var{mode}
- Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
- encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
- option does @b{NOT} mean the encoder will actually apply Dolby Headphone
- processing.
- @table @option
- @item 0
- @itemx notindicated
- Not Indicated (default)
- @item 1
- @itemx on
- Dolby Headphone On
- @item 2
- @itemx off
- Dolby Headphone Off
- @end table
- @item -ad_conv_type @var{type}
- A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
- conversion.
- @table @option
- @item 0
- @itemx standard
- Standard A/D Converter (default)
- @item 1
- @itemx hdcd
- HDCD A/D Converter
- @end table
- @end table
- @subheading Other AC-3 Encoding Options
- @table @option
- @item -stereo_rematrixing @var{boolean}
- Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
- is an optional AC-3 feature that increases quality by selectively encoding
- the left/right channels as mid/side. This option is enabled by default, and it
- is highly recommended that it be left as enabled except for testing purposes.
- @end table
- @c man end ENCODERS
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