encoders.texi 11 KB

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  1. @chapter Encoders
  2. @c man begin ENCODERS
  3. Encoders are configured elements in FFmpeg which allow the encoding of
  4. multimedia streams.
  5. When you configure your FFmpeg build, all the supported native encoders
  6. are enabled by default. Encoders requiring an external library must be enabled
  7. manually via the corresponding @code{--enable-lib} option. You can list all
  8. available encoders using the configure option @code{--list-encoders}.
  9. You can disable all the encoders with the configure option
  10. @code{--disable-encoders} and selectively enable / disable single encoders
  11. with the options @code{--enable-encoder=@var{ENCODER}} /
  12. @code{--disable-encoder=@var{ENCODER}}.
  13. The option @code{-codecs} of the ff* tools will display the list of
  14. enabled encoders.
  15. @c man end ENCODERS
  16. @chapter Audio Encoders
  17. @c man begin AUDIO ENCODERS
  18. A description of some of the currently available audio encoders
  19. follows.
  20. @section ac3 and ac3_fixed
  21. AC-3 audio encoders.
  22. These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
  23. the undocumented RealAudio 3 (a.k.a. dnet).
  24. The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
  25. encoder only uses fixed-point integer math. This does not mean that one is
  26. always faster, just that one or the other may be better suited to a
  27. particular system. The floating-point encoder will generally produce better
  28. quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
  29. default codec for any of the output formats, so it must be specified explicitly
  30. using the option @code{-acodec ac3_fixed} in order to use it.
  31. @subsection AC-3 Metadata
  32. The AC-3 metadata options are used to set parameters that describe the audio,
  33. but in most cases do not affect the audio encoding itself. Some of the options
  34. do directly affect or influence the decoding and playback of the resulting
  35. bitstream, while others are just for informational purposes. A few of the
  36. options will add bits to the output stream that could otherwise be used for
  37. audio data, and will thus affect the quality of the output. Those will be
  38. indicated accordingly with a note in the option list below.
  39. These parameters are described in detail in several publicly-available
  40. documents.
  41. @itemize
  42. @item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
  43. @item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
  44. @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
  45. @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
  46. @end itemize
  47. @subsubsection Metadata Control Options
  48. @table @option
  49. @item -per_frame_metadata @var{boolean}
  50. Allow Per-Frame Metadata. Specifies if the encoder should check for changing
  51. metadata for each frame.
  52. @table @option
  53. @item 0
  54. The metadata values set at initialization will be used for every frame in the
  55. stream. (default)
  56. @item 1
  57. Metadata values can be changed before encoding each frame.
  58. @end table
  59. @end table
  60. @subsubsection Downmix Levels
  61. @table @option
  62. @item -center_mixlev @var{level}
  63. Center Mix Level. The amount of gain the decoder should apply to the center
  64. channel when downmixing to stereo. This field will only be written to the
  65. bitstream if a center channel is present. The value is specified as a scale
  66. factor. There are 3 valid values:
  67. @table @option
  68. @item 0.707
  69. Apply -3dB gain
  70. @item 0.595
  71. Apply -4.5dB gain (default)
  72. @item 0.500
  73. Apply -6dB gain
  74. @end table
  75. @item -surround_mixlev @var{level}
  76. Surround Mix Level. The amount of gain the decoder should apply to the surround
  77. channel(s) when downmixing to stereo. This field will only be written to the
  78. bitstream if one or more surround channels are present. The value is specified
  79. as a scale factor. There are 3 valid values:
  80. @table @option
  81. @item 0.707
  82. Apply -3dB gain
  83. @item 0.500
  84. Apply -6dB gain (default)
  85. @item 0.000
  86. Silence Surround Channel(s)
  87. @end table
  88. @end table
  89. @subsubsection Audio Production Information
  90. Audio Production Information is optional information describing the mixing
  91. environment. Either none or both of the fields are written to the bitstream.
  92. @table @option
  93. @item -mixing_level @var{number}
  94. Mixing Level. Specifies peak sound pressure level (SPL) in the production
  95. environment when the mix was mastered. Valid values are 80 to 111, or -1 for
  96. unknown or not indicated. The default value is -1, but that value cannot be
  97. used if the Audio Production Information is written to the bitstream. Therefore,
  98. if the @code{room_type} option is not the default value, the @code{mixing_level}
  99. option must not be -1.
  100. @item -room_type @var{type}
  101. Room Type. Describes the equalization used during the final mixing session at
  102. the studio or on the dubbing stage. A large room is a dubbing stage with the
  103. industry standard X-curve equalization; a small room has flat equalization.
  104. This field will not be written to the bitstream if both the @code{mixing_level}
  105. option and the @code{room_type} option have the default values.
  106. @table @option
  107. @item 0
  108. @itemx notindicated
  109. Not Indicated (default)
  110. @item 1
  111. @itemx large
  112. Large Room
  113. @item 2
  114. @itemx small
  115. Small Room
  116. @end table
  117. @end table
  118. @subsubsection Other Metadata Options
  119. @table @option
  120. @item -copyright @var{boolean}
  121. Copyright Indicator. Specifies whether a copyright exists for this audio.
  122. @table @option
  123. @item 0
  124. @itemx off
  125. No Copyright Exists (default)
  126. @item 1
  127. @itemx on
  128. Copyright Exists
  129. @end table
  130. @item -dialnorm @var{value}
  131. Dialogue Normalization. Indicates how far the average dialogue level of the
  132. program is below digital 100% full scale (0 dBFS). This parameter determines a
  133. level shift during audio reproduction that sets the average volume of the
  134. dialogue to a preset level. The goal is to match volume level between program
  135. sources. A value of -31dB will result in no volume level change, relative to
  136. the source volume, during audio reproduction. Valid values are whole numbers in
  137. the range -31 to -1, with -31 being the default.
  138. @item -dsur_mode @var{mode}
  139. Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
  140. (Pro Logic). This field will only be written to the bitstream if the audio
  141. stream is stereo. Using this option does @b{NOT} mean the encoder will actually
  142. apply Dolby Surround processing.
  143. @table @option
  144. @item 0
  145. @itemx notindicated
  146. Not Indicated (default)
  147. @item 1
  148. @itemx off
  149. Not Dolby Surround Encoded
  150. @item 2
  151. @itemx on
  152. Dolby Surround Encoded
  153. @end table
  154. @item -original @var{boolean}
  155. Original Bit Stream Indicator. Specifies whether this audio is from the
  156. original source and not a copy.
  157. @table @option
  158. @item 0
  159. @itemx off
  160. Not Original Source
  161. @item 1
  162. @itemx on
  163. Original Source (default)
  164. @end table
  165. @end table
  166. @subsection Extended Bitstream Information
  167. The extended bitstream options are part of the Alternate Bit Stream Syntax as
  168. specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
  169. If any one parameter in a group is specified, all values in that group will be
  170. written to the bitstream. Default values are used for those that are written
  171. but have not been specified. If the mixing levels are written, the decoder
  172. will use these values instead of the ones specified in the @code{center_mixlev}
  173. and @code{surround_mixlev} options if it supports the Alternate Bit Stream
  174. Syntax.
  175. @subsubsection Extended Bitstream Information - Part 1
  176. @table @option
  177. @item -dmix_mode @var{mode}
  178. Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
  179. (Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
  180. @table @option
  181. @item 0
  182. @itemx notindicated
  183. Not Indicated (default)
  184. @item 1
  185. @itemx ltrt
  186. Lt/Rt Downmix Preferred
  187. @item 2
  188. @itemx loro
  189. Lo/Ro Downmix Preferred
  190. @end table
  191. @item -ltrt_cmixlev @var{level}
  192. Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
  193. center channel when downmixing to stereo in Lt/Rt mode.
  194. @table @option
  195. @item 1.414
  196. Apply +3dB gain
  197. @item 1.189
  198. Apply +1.5dB gain
  199. @item 1.000
  200. Apply 0dB gain
  201. @item 0.841
  202. Apply -1.5dB gain
  203. @item 0.707
  204. Apply -3.0dB gain
  205. @item 0.595
  206. Apply -4.5dB gain (default)
  207. @item 0.500
  208. Apply -6.0dB gain
  209. @item 0.000
  210. Silence Center Channel
  211. @end table
  212. @item -ltrt_surmixlev @var{level}
  213. Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
  214. surround channel(s) when downmixing to stereo in Lt/Rt mode.
  215. @table @option
  216. @item 0.841
  217. Apply -1.5dB gain
  218. @item 0.707
  219. Apply -3.0dB gain
  220. @item 0.595
  221. Apply -4.5dB gain
  222. @item 0.500
  223. Apply -6.0dB gain (default)
  224. @item 0.000
  225. Silence Surround Channel(s)
  226. @end table
  227. @item -loro_cmixlev @var{level}
  228. Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
  229. center channel when downmixing to stereo in Lo/Ro mode.
  230. @table @option
  231. @item 1.414
  232. Apply +3dB gain
  233. @item 1.189
  234. Apply +1.5dB gain
  235. @item 1.000
  236. Apply 0dB gain
  237. @item 0.841
  238. Apply -1.5dB gain
  239. @item 0.707
  240. Apply -3.0dB gain
  241. @item 0.595
  242. Apply -4.5dB gain (default)
  243. @item 0.500
  244. Apply -6.0dB gain
  245. @item 0.000
  246. Silence Center Channel
  247. @end table
  248. @item -loro_surmixlev @var{level}
  249. Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
  250. surround channel(s) when downmixing to stereo in Lo/Ro mode.
  251. @table @option
  252. @item 0.841
  253. Apply -1.5dB gain
  254. @item 0.707
  255. Apply -3.0dB gain
  256. @item 0.595
  257. Apply -4.5dB gain
  258. @item 0.500
  259. Apply -6.0dB gain (default)
  260. @item 0.000
  261. Silence Surround Channel(s)
  262. @end table
  263. @end table
  264. @subsubsection Extended Bitstream Information - Part 2
  265. @table @option
  266. @item -dsurex_mode @var{mode}
  267. Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
  268. (7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
  269. apply Dolby Surround EX processing.
  270. @table @option
  271. @item 0
  272. @itemx notindicated
  273. Not Indicated (default)
  274. @item 1
  275. @itemx on
  276. Dolby Surround EX On
  277. @item 2
  278. @itemx off
  279. Dolby Surround EX Off
  280. @end table
  281. @item -dheadphone_mode @var{mode}
  282. Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
  283. encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
  284. option does @b{NOT} mean the encoder will actually apply Dolby Headphone
  285. processing.
  286. @table @option
  287. @item 0
  288. @itemx notindicated
  289. Not Indicated (default)
  290. @item 1
  291. @itemx on
  292. Dolby Headphone On
  293. @item 2
  294. @itemx off
  295. Dolby Headphone Off
  296. @end table
  297. @item -ad_conv_type @var{type}
  298. A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
  299. conversion.
  300. @table @option
  301. @item 0
  302. @itemx standard
  303. Standard A/D Converter (default)
  304. @item 1
  305. @itemx hdcd
  306. HDCD A/D Converter
  307. @end table
  308. @end table
  309. @subsection Other AC-3 Encoding Options
  310. @table @option
  311. @item -stereo_rematrixing @var{boolean}
  312. Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
  313. is an optional AC-3 feature that increases quality by selectively encoding
  314. the left/right channels as mid/side. This option is enabled by default, and it
  315. is highly recommended that it be left as enabled except for testing purposes.
  316. @end table
  317. @c man end AUDIO ENCODERS